Light of Tina by Richard Stooker

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EXTRACT FOR
Light of Tina

(Richard Stooker)


Light of Tina -- Extract

 

Richard Stooker

 

Copyright © 2013 by Richard Stooker, Love Conquers All Press, and Gold Egg Investing LLC.

Cover graphic design by Drew at idrewdesign on Fiverr.com.

Cover, book, and graphic design Copyright © 2013 by Richard Stooker, Love Conquers All Press, and Gold Egg Investing, LLC.

The right of Richard Stooker to be identified as the author of this book has been asserted in accordance with Sections 77 and 78 of the Copyrights and Patents Act 1988.

All rights reserved.

Except for use in any review, the reproduction or utilization of this work in whole or in part in any form by any electronic, mechanical or other means, now known or hereafter invented, including xerography, photocopying, and recording, or in any information storage or retrieval system, is forbidden without the written permission of the author.

All characters in this book have no existence outside the imagination of the author and have no relation whatsoever to anyone bearing the same name or names. They are not even distantly inspired any individual known or unknown to the author, and all incidents are pure invention.

 


Table of Contents

 

Light of Tina

The Story Behind Light of Tina

 


Light of Tina

 

Twenty-one years after, Paul Templeton still did not know whether he was the man who raped and murdered his sister. 

At his neighbor Carl's cocktail party, Paul felt Tina as a shimmering, transcendent presence -- not dead but there, shining through from The World Behind. In the back of his mind, Paul re-experienced the nightmare he dreamed first the night of Tina's death, and many times thereafter. It never changed.

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Tina sits brushing her wavy golden hair in the bedroom in the house where she lived with her boyfriend, several blocks down the street from their family's home, where Paul slept. She wears the long purple robe Paul gave her one Christmas and her silver crescent moon pendant.

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Paul nibbled on peanuts and chips as he listened to his neighbors brag about the bargains they found shopping, complain about their bosses' and coworkers' incompetence, joke about their spouses, and try to conceal their feelings of inadequacy with alcohol and determined good cheer. Paul worried about his blood pressure, but salt was the vice society allowed him to indulge publicly. His face wore its usual two-way mirror mask. He could look out. He let nobody see in.

Even as a child, Paul knew to hide the truth of his love for Tina.

Beaming genuine warmth and joviality and a need to earn approval by making people happy, Carl grabbed Paul's arm. "Come over here and meet our new neighbors."

A man standing in a straight, too-rigid posture said, "Jack Harrison," as he shook hands with Paul. He wore a demeanor of professionalism that, beyond its blatant self-confidence, blanked Paul.

Carl said, "Jack's a shrink, Paul, so be careful he doesn't psychoanalyze you. He just bought the Newberry place." Carl pointed to the Asian man next to the psychiatrist. "This is George. I refuse to stumble over his last name. He's a biochemist at Monsanto and his family just moved into the Smiths' house."

The man bowed his head slightly forward, then put out his hand. "Sirivorasarn. Just George is fine."

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The large green ceramic frog Paul gave Tina for her twelfth birthday sits on the floor behind her. Her boyfriend's bluejeans lie across the back of her chair. The bed is rumpled from their sex.

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Carl said, "This is George's lovely daughter, Khamnah. Her name, I can say."

As Khamnah smiled at Paul, gold light beamed from her face like the sun breaking through the clouds on a gloomy overcast day. The impact, as deep and powerful as falling in love with Tina when Mother first brought her home from the hospital, stunned him.

Khamnah wore a flowing, deep purple dress that set off her light brown skin and long, gleaming black hair. She smelled of sweet perfume and sandalwood body lotion, as fresh and intoxicating as an orchid. Although her Asian features were physically different from Tina's narrow face, blue eyes, white skin, and blonde hair, Khamnah's black eyes shown with the same glow from The Other World. The World Behind.

Tina's World.

A spark of that light flickered in all beautiful women, but never until now had Paul meet one who blazed with an intensity equal to Tina’s.